Nigerians love humility.
They love it in all its forms because it represents some sort of
societal ideal that is non-threatening and pleasant. That’s why 2face Idibia is regarded as the greatest Nigerian pop artist that ever lived.
“Awww, he is so humble.”
How many times have you
heard Nigerians make that declaration everywhere and anywhere the man
pops up? Aside from his music, that humble image has been the driving
force of the love and acceptance that he enjoys across the country.
That’s just one artist.
Other artists include Olamide, and sometimes Sunny Ade. These artists
get the most love from being ‘humble’, or having a public persona that
plays into humility as one of its cornerstones.
For
the public, it’s everything. An artists is more likely to penetrate the
hearts of fans, if he sells humility. They would flock to him, sing his
name, share stories about him and say he is the best example of how
people should carry their celebrity and run with it.
The only time artists are allowed to be proud is if they come from ‘bastard money’ like Davido,
or if they are so undeniably good with the music that they their fans
have become blind followers, without a modicum of critical thought.
That’s why Burna Boy, Phyno and Wizkid
can get away with it. Their music is so good, and has eaten deep into
the heart of fans, that they are working on a behavioural blank cheque.
Wizkid can hit the lowest behavior, and an army will rise behind him to
scream his name and justify his actions.
But the best case scenario
is when you are a true maestro, and marry that skill to humility. You
would be on the highway to immortality, and your music will sell in
droves.
But this isn’t always a good thing. What we have successfully cultivated are a generation of fake artists, who are working really hard to suppress their true characters.
They are selling a fake lie, and playing themselves too. What it means is that the star you know, is not the star you should know.
What you see is a packaged commodity that appeals to your desire to see ‘good humility’ in artists.
Ideally, we should not place demands on the character of their music. These people are normal folks, with the same cravings and desires that we do. They are simply blessed to be working in a very public and connected field. And once they are extremely good at their job, they become stars.
Humans should be humans, both in public, and when the cameras go off. But not in Nigeria. In these streets, talent has to come preinstalled with a humble plug-in.

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